Monday, 11 November 2019

The Stonehenge Great Cursus


 The western end of the cursus.


The cursus is a strange and enigmatic structure, unique to British prehistory, and with a purpose which still eludes archaeologists.

Cursuses are ditched and banked enclosures, around 100m wide and extending for several kilometres across the landscape. Their shape gave rise to their name: an early suggestion, now refuted, was that they were racecourses.

The Stonehenge Cursus is three kilometres long and 100-150m in width, and stretches east-west across the plain a few hundred metres north of Stonehenge. It was built in the early Neolithic period, between 3600-3300BC, several hundred years before Stonehenge itself was begun, and is perhaps the oldest creation in the Stonehenge complex.



The location of the Lesser Cursus.


A second cursus was also built to the north, 60m wide and 400m in length, along a ridgeline which has a commanding position over the surrounding area. It had been extended at some point, and the fact that it simply stops at its eastern end suggests it may not have been finished.

The eastern end of the Great Cursus was formed by a now-ruined long barrow which dates to a broadly similar time, although it is unclear whether it was built before, after, or at the same time as the cursus. Many cursuses incorporate long barrows and other ritual structures.

It’s possible that this cursus too was unfinished, and the long barrow was simply a convenient ‘stop’. It’s also possible that they were never intended to be ‘finished’: they were simply extended continuously according to rules we can only guess at, rather like Stonehenge itself and the nearby timber monuments were continually remodelled. It’s becoming more and more apparent that the process of creating monuments was more important to our prehistoric ancestors than the finished structure itself.

Supporting this theory is the Cuckoo Stone, a standing stone which became a shrine a few hundred metres from the ‘end’ of the cursus and on the exact same alignment. Perhaps this would have in time been incorporated into the cursus. Further on the same alignment is Woodhenge, another standing stone called the Bulford Stone, and then the prominent Beacon Hill. Surely this cannot all be coincidence?


The view east along the cursus. The ditch aligns on the distant Beacon Hill.


The most accepted explanation for cursuses is commemoration and movement: perhaps they were a memorial of a processional way or a corpse road or spirit road. This could explain why many are linked to long barrows. Cursuses in other places seem to be transferring power from an older ritual monument to a newer one.

The Stonehenge Cursus begins at its western end on a ridgeline, which offers views in all directions, then rapidly drops to eventually reach Stonehenge Bottom, once a watercourse. The hillside quickly obscures the view behind, leaving the walker with nothing but the route ahead which remains visible, with the cursus ditch aligned on the distant Beacon Hill, until the midpoint when that too is swallowed.



The view behind is swallowed up as the traveller journeys east.


In the bowl of the valley, nothing remains of the outside world and the journeyer is left with a sense of isolation and disconnection. Was this a key part of this symbolic journey? Were people, perhaps the living or perhaps the dead, ritually and spiritually scoured clean here, aided by the flowing spring water, before continuing their journey back into the world? From this point, the walker climbs up the opposite slope, the views of the plain reappear, and the high point of the ridge appears where the long barrow stood and the cursus ends. A long journey is complete.

Monday, 4 November 2019

Durrington Walls


  

Reconstruction of Durrington Walls, showing the avenue, river, and timber circle.


Durrington Walls, found two miles from Stonehenge, is one of the greatest henge monuments in Britain, and part of the vast religious complex which stretches across the chalklands of Salisbury Plain.

The henge today survives as a chalk bank, originally three metres high and over a mile long, enclosing an area of 42 acres, with an internal ditch 16 metres wide and six metres deep. This vast earthwork enclosed a huge settlement, with up to a thousand wattle and chalk houses divided into discrete communities. The ditch and bank were dug around 2500BC, destroying many of the outer houses, and is linked to the increasing elaboration and enclosure of already ancient ritual sites, and also to the raising of the huge sarsens at Stonehenge.



The extent of the henge.


Durrington Walls was closely linked to Stonehenge. Researchers now think that people came to Durrington Walls, from across the chalklands and also much further afield, including Wales and northern Britain, bringing livestock and trade goods to an annual gathering at the midwinter solstice where community relationships were reaffirmed, livestock exchanged and marriage partners found. Two timber circles, one found immediately in front of the entrance and containing at its greatest extent six concentric rings of huge posts, have been linked to religious rites and funerary ceremony. Likely people brought cremated remains to Durrington to be deposited in the river, or for a chosen few, to be deposited inside the banks of Stonehenge after a short journey down the river. Midwinter has always been seen as a time of rebirth and renewal, when the sun begins again its annual journey across the sky, and has often been seen as the time when souls cross into the next world or alternatively join those souls waiting to be reborn.


The site of the avenue leading to the river.


Like Stonehenge, Durrington Walls had an avenue leading down to the river Avon, fifteen metres wide and with five-metre chalk banks on either side. Like Stonehenge, this avenue was based on a natural feature. Beneath the avenue, on the same alignment, was a ‘road’ of natural flint. This aligned perfectly on the midsummer solstice sunset. This is the opposite alignment of the Stonehenge avenue, and adds to the theory that they are spiritual ‘opposites’ – one linked to the living and one linked to the dead.



The focus of Durrington Walls, towards the fertile farmlands, the river and the rising sun.


Durrington Walls is on steeply sloping ground, which was terraced to build the hundreds of houses, with an area of high levelled ground furthest from the entrance where five elaborate enclosed buildings were raised. Perhaps they were chieftain’s houses or houses of the ancestors or spirits. They certainly had a natural command over the site. Unlike Stonehenge, which is on a bleak and exposed hillside which emphasises its liminality, Durrington Walls faces southeast, towards the rising sun which would give light and warmth to the community. It is sheltered from the prevailing winds and offers good views over and easy access to the river which provided nourishment in both practical and spiritual sense. It certainly feels like a place which was buzzing with life.



Tuesday, 29 October 2019

Marden Henge


Marden’s bank, inner ditch and northern entrance.


Marden Henge, about ten miles north of Stonehenge in Wiltshire, is one of the biggest henges in Britain and one of the most unusual. It is in a crook of the Avon, the river which is closely linked to Stonehenge, and the river replaces the bank for part of its perimeter.

The henge, roughly oval and 500 metres across at its widest point, had an entrance aligned precisely north, and a second to the southeast, linked to a causeway which led to the river. Its bank survives up to three metres high and forty metres wide.


The Avon at Marden


The henge was built on the flat river plain where today, after heavy rain, the mud-laden river can be seen creeping around willow trunks and through the long grass on its banks. It probably once filled the henge ditch and waterlogged the surrounding land. Little can be seen of the surrounding landscape beyond the river plain, with the exception of the ridgeline which marks the start of Salisbury Plain, and water seems to be a key aspect of the monument’s character.


The view across the henge towards the river.

The henge has been associated with the construction of Stonehenge. The huge sarsen stones, incorporated into Stonehenge around 2500BC, were dragged from the Marlborough Downs in the north, through the Vale of Pewsey and up onto Salisbury Plain. Recent work has shown that they most likely crossed the Avon at Marden, and were then dragged up the gentle slope which leads from the village onto the high plain, about the only feasible route when dragging multiple twenty-tonne rocks.

Many henges were dug on sites with already sacred or historical importance, perhaps as an act of enclosing and formalising that memory. Marden’s enclosing ditch is dated to 2570-2290BC, the same time or slightly after the sarsens were moved. Perhaps its creation was the final act of Stonehenge’s builders after their work was done.


The slope likely used to drag Stonehenge’s sarsens up onto Salisbury Plain


Marden was also the site of a large earthen mound, similar to the much more famous Silbury Hill near Avebury, but on a smaller scale. The mound, 70 metres in diameter and nine metres high, built sometime during or after the henge’s construction, was destroyed after antiquarians dug through it. Nothing now survives. Silbury Hill was built around 2400-2300BC; Marden may have been a similar date.

Both mounds were linked to encircling watercourses, and I feel the idea carries weight that they represent something akin to the mythical island of creation, rising from the primeval waters. It would certainly feel that way, as people watched the water silently creep through grass and tree roots around the mound as heavy rain swelled its course.


Why was it built at Marden? Was Marden linked to the birthpoint of Stonehenge? Perhaps the river was the boundary between two communities, the point where the stones were ceremonially handed over, and so this site was chosen for the great mound to be raised. Unfortunately, thanks to clumsy treasure seekers, we will probably never know.



Wednesday, 23 October 2019

Stonehenge




 Stonehenge is Britain’s most famous prehistoric landmark. In its heyday four thousand years ago, it attracted people from across Britain and across Europe. Today, largely ruined thanks to time and human endeavour, nothing has changed.

Stonehenge was built and rebuilt several times over a 1500-year period, in a chalkland landscape which was already of great sacred significance. A series of colossal wooden posts, their significance now long lost, were raised in what is now the Stonehenge carpark 5000 years before the monument was begun. Two linear monuments known as cursuses and several long barrows were built nearby in the preceding centuries. And the spring known as Blick Mead attracted votive offerings for several thousand years.


The Amesbury Archer, who was brought up in the Alps and was buried a mile from Stonehenge around 2400BC. He was perhaps one of the earliest metal workers in Britain.


The earliest construction at Stonehenge was a circular ditch and bank, dug around 3000BC, with a ring of 56 Aubrey Holes around its inner edge. These were once the sockets for the famous bluestones, brought several hundred miles from the Preseli Mountains in South Wales. Many, perhaps all, of the holes also contained cremation burials, perhaps interred as the stones were raised and perhaps of people with particular associations with that stone.

Around 500 years later, the horseshoe of huge trilithons – paired and shaped stones with a horizontal cap – were raised in the centre, along with a circle of capped sarsen stones. The bluestones went through several rearrangements which took place over the next few hundred years. It seems a final rearrangement was abandoned uncompleted around 1500BC.


The approach up the avenue, with one of the ditches still visible. The Heel Stone, a glacial erratic raised in the entrance almost in its natural position, is on the left.


Stonehenge seems to have been a place linked to death and funerary rites. The remains of over 150 people were interred at the site, and no evidence of feasting or other signs of occupation have been found. As is perhaps fitting with its unique structure, people came here only for important and austere rites.

Stonehenge was approached along an avenue, over 3km long and 22 metres wide, which led from the river Avon in a circuitous route to cross King Barrow Ridge, later the location of several Bronze Age barrows, and the first view of the stones in the distance. They are in fact barely noticeable, lost among the grey-green of Salisbury Plain, and soon vanish from view as one drops into the valley of Stonehenge Bottom, probably once a seasonal watercourse.

Then comes the climb up the hillside, and the stones gradually rise from the ground and stand proud on the skyline, displayed in all their glory as the walker approaches. The world beyond them remains invisible. It is a remarkable piece of landscape engineering, which would have been all the more powerful with the banks of the avenue funnelling the viewer’s attention.


The view from the entrance.


The stones seem very distant from the outer ditch, today’s permitted viewing point, and this was probably intentional to reinforce the point that only the select few were permitted into the stones’ presence. The ten-metre high trilithons crowding over the initiate would create a near terrifying sense of claustrophobia and power. It would feel like the most powerful place in Britain, in the world, as it was intended.


The Stonehenge Archer, buried in the ditch around 2200BC. He had died after being shot by three arrows which broke his sternum and one rib, shown in the picture. Was this a murder or a sacrifice?


The avenue and entrance align to the midsummer sunrise and the midwinter sunset, and recent investigation has shown that beneath the avenue lay several periglacial channels, deep ditches naturally formed during the Ice Age and by coincidence on exactly the same solstice alignment. These were incorporated by the avenue’s builders. Were they seen as a natural sun channel, created by the Gods, spirits or ancestors, and eventually incorporated into Britain’s most important sacred site? It seems very likely.


One of the many Bronze Age barrows which focus on Stonehenge.


Stonehenge’s final modification was during the mid Bronze Age, around 1500BC, but it was the focus of attention, good and bad, long after this point. Bronze Age barrows were raised where they would be visible on the skyline from Stonehenge. Roman-era pottery was found in large quantities, perhaps the result of religious rituals. It seems some of the stones were toppled by the Romans, perhaps an attempt to break the site’s power. In the Saxon period, when the site became known as the ‘Stone Hangings’, it was used for executions.

Today, it is a tourist attraction.

Monday, 7 October 2019

The Langdale Axe Factories




The hillsides around a few remote valleys in the Lake District became the hub of activity in the Neolithic period, attracting people from across Britain to quarry stone to make polished axes.

The crags around Langdale, a few miles west of Lake Windermere, contain a natural band of volcanic tuff or hornstone, a deep green rock which was greatly prized by the Neolithic people. This hornstone is found from Stickle Tarn, a mountain lake high above Langdale, through the Langdale Pikes to the west to Scafell Pike, England’s highest mountain, and then petering out further north.



The stone can be found in streambeds and dug from pits on the level heights, but the Neolithic people went to great effort to quarry stone from the most dangerous and inaccessible rockfaces they could. They climbed the precarious crags, balanced on narrow and unstable ledges a dizzying distance above the valley floor, and hewed blocks of stone from the rockface, often using fire to fracture the rock. The almost ubiquitous rain and fog of the area made the stone dangerously slippery and the climb up and down near impossible. The stone was gained at a high price.



The stone was flaked like flint into a roughout axe at the quarry site, and when the maker was happy they had drawn the essence of an axe from the raw stone, they returned to the lowland areas where hours of painstaking polishing and grinding removed all ridges and imperfections and the perfect shine of the greenstone remained. The axe was finished.



The importance of the axe went far beyond its practical function. The deliberate and unnecessary danger the axe makers underwent suggests that the spiritual power of the crags, the willing trial which would end either in a messy death or the mastery of death, suggests an initiation into the brutal powers of the mountains, and that power infused into the finished product, giving it a highly prized power or prestige. Magical objects such as the Norse God Thor’s hammer likely have their origin as a stone axe.

Many of the stone circles and henges in Cumbria, including Castlerigg by Keswick, Grey Croft on the western coast, Long Meg and her Daughters in the Eden Valley, and Mayburgh Henge near Penrith are linked to the trade of axes and the control of access to the quarry sites, which were worked for over 1500 years.

                                A freshly broken rockface, showing the prized green stone.


Langdale axes were prized and have been found across Britain as far as Etton, a Neolithic causewayed enclosure near Peterborough, Stanton Harcourt, a monumental complex on the River Thames, and Llandegai, a vast but now destroyed henge complex in north Wales. It’s telling that all these were ritually deposited in sacred places at the end of their life. Axes made from local stone for mundane purposes such as chopping firewood didn’t receive such treatment.

                       Harrison Stickle, one of the most well-used quarry sites.


During the Bronze Age, the symbolic power of the stone axe declined, and the Langdale quarries were slowly abandoned. Those polished axes which were later discovered took on a new purpose. They were believed to be lightning bolts, and were used to ward off lightning, were placed in water troughs to give healthy livestock, and many other protective purposes. The magic of these once sacred objects never really died.

Monday, 30 September 2019

Castlerigg Stone Circle




Castlerigg stone circle lies on the eastern edge of the Lake District near the town of Keswick. Its name derives from Carsles or Carles, a name recorded in the 18th century and deriving from the French carole, meaning a circular dance. It's interesting how many stone circles are linked to dancing. It was built around 3200BC, making it one of the earliest stone circles in Britain.

The circle is 30 metres in diameter and originally comprised 42 stones, of which 38 remain. The stones are glacial erratics, probably from fairly close by, and most are 1-1.2 metres in height. Two taller stones flank the north-facing entrance, and an offset pillar to the southeast, almost 2 metres tall, aligns to the sunrise at Samhain (1st November) and Imbolc (1st February).

A rectangular setting of about twelve smaller stones stands in the eastern part of the circle and focuses on the prominent hill of Clough Head on the skyline.

Another standing stone is found near the western edge of the site. Its original location is now unclear but it may have come from the circle itself or was perhaps another outlier stone.


          The internal rectangular setting


Castlerigg is sited on an area of gently sloping higher ground, surrounded by the settled areas and farmland that have long filled the lowlands of the area. The ring of stark mountains and fells beyond provides a contrasting backdrop and reflects the varied topology and spirit of the Lake District. Thanks to the slope of the ground, fairly little of the immediate area is visible from the circle, and conversely, the circle was perhaps equally hidden until the final approach up the hillside. This would have added an air of magic to the site.


           The outlier stone which is angled towards the Samhain sunrise


Castlerigg, like Mayburgh Henge 15 miles to the east, is linked to the manufacture and trade of polished stone axes which were made from green volcanic tuff found in a few isolated and inaccessible hillsides deep in the Lake District mountains. Three of these axes and an unpolished roughout have been found inside the circle.

The north-facing entrance faces what is now the main road from Penrith to Keswick and what has probably always been the major route into the Lakes. From the circle, the main view is the wide valley to the southeast which leads to the villages of Grasmere and Ambleside and then to the Langdale valley where the axe quarries were accessed. Castlerigg was certainly there to oversee the routeways used by the special greenstone and the people who worked it.


Monday, 23 September 2019

Mayburgh Henge



Mayburgh Henge, near Penrith on the edge of the Lake District, is a stunning monument. It was built in the late Neolithic period and comprises a circular bank of stone, 50 metres wide at its base, 120 metres in diameter, and surviving to a height of 6 metres. It’s estimated to contain 20,000 tonnes of stone, probably carried up from the river Lowther, although it has also been suggested it was reshaped from a natural glacial deposit.


            Mayburgh Henge from the south


The henge is on a knoll of high ground which gives it a natural dominance over the surrounding area, and it would have been clearly visible from the surrounding fells before the grass began to cover it. It’s sited above the confluence of the rivers Eamont and Lowther, and above the ancient lowland routeway to the north and south, which forded the rivers at this point. Mayburgh was probably associated with the trade of stone axes, which were ground from Lake District greenstone and traded across Britain as far as East Anglia.


        The river Lowther, from which Mayburgh’s stones may have been carried.


The bank’s position and height make it impossible to see inside the henge, even from the distant fells, except for a tantalising view of its standing stones visible through the entrance from several hundred metres away down the hillside. This would have enhanced the mystery and power of the site for those who travelled by. It gives the impression of a powerful site and powerful people, a fitting guardian for the entrance into the hostile mountains where the stone quarries were found.


          The view from the entrance. The trees give an indication of size.


Four standing stones were raised in a square in the centre of the circle, of which one survives. Four more were present in the entrance, which faces due east. The stones were destroyed in the 18th century, after which one of the workmen went insane and another committed suicide. Damaging once sacred monuments always seems to have a bitter price.


 The remaining standing stone, approximately 3 metres high.


Two other smaller henges were situated along the river Lowther, a few hundred metres away. King Arthur’s Round Table is 90 metres in diameter and comprises a circular ditch with an outer earthen bank. Two entrances lay to the south-east and north-west. The latter, which was flanked with two standing stones, has been destroyed, but would have aligned directly to the entrance of Mayburgh Henge, much further up the hillside. The second henge, the Little Round Table, was a similar size and has been entirely destroyed.

Both these henges lack the feeling of dominance and power of Mayburgh, and were perhaps used for more mundane work or trade, with only a select few being allowed up the hillside into the hidden inner sanctum of the greater henge, which still feels powerful after five thousand years.


             King Arthur’s Round Table

Monday, 9 September 2019

West Kennet Long Barrow




West Kennet Long Barrow is situated just south of Avebury in Wiltshire, today offering views of the great Avebury henge, the Sanctuary and Silbury Hill. None of these monuments were present when the barrow was built, although likely the locations already had special significance.

The barrow was built around 3650BC, and comprises five chambers around a central passage, all built of sarsen stone and drystone walling, covered in a vast mound of rubble and turf, 104 metres long.

Like many other long barrows such as Wayland’s Smithy, it is not especially prominent and doesn’t appear to have been designed to draw the attention, respect and admiration of human observers, as later Bronze Age barrows were. It seems more about commanding a view of the land, probably the land the entombed people lived on and farmed, and continued to offer their guidance and guardianship after death.

It seems the barrow was used for little more than a generation – perhaps the ‘founding fathers’ of this farming community – and then the entrance was sealed with the huge sarsen stones seen today. The remains of thirty six men, women and children were excavated. Bones and cremated remains were occasionally added over the next thousand years by removing the roof slabs.

Inside the barrow                                                


The barrow was far more than a tomb. It was a place for the living as well as the dead, and some interesting research has been done into the acoustics of the chambers. Many long barrows of the Cotswold-Severn area were built to similar proportions, incorporating a 4:3 ratio into the chambers, which produces a particular musical resonance when singing or chanting. Infrasound – sound too low for human ears to hear – is also produced by the resonance inside the chambers, and this produces unsettling effects such as the feeling of an unseen presence, a sense of panic and danger, and glimpses of movement. This would all contribute to the feeling of the presence of the ancestor spirits around the living.  



Around 2200BC, the chambers were filled with chalk rubble and the monument abandoned. This time period reflects the arrival of bronze in Britain and a cultural upheaval which saw the abandonment of the old monuments and a surge in the building of new monuments such as stone circles.

But the old ways were never forgotten. Coins dating to the Roman period have been found inserted into the mound, perhaps offerings to millennia-old spirits whose presence was still uneasily felt.

Monday, 2 September 2019

Traitor’s Ford, Warwickshire




Traitor’s Ford is a ford across the nascent River Stour in Warwickshire which eventually joins the Avon near Stratford on Avon. The water today trickles peacefully over a modern concrete crossing but the shallow and stony crossing has been in use for millennia.
The intriguing name is not entirely explained. Local legend states that here were hanged rebel soldiers during the Civil War in the 17th century, but this is probably a recent invention. An antiquarian wrote in 1908 that he could find no local explanation or story for the name at all. More likely it is a corruption of ‘Trader’s Ford’.


           The ancient, sunken routeway


The ford was the crossing point of an ancient trackway, now partly a minor road and partly a footpath, known for some of its length as Ditchedge Lane. This ditch marks the boundary between Warwickshire and Oxfordshire, an indication of its antiquity. The routeway was a trader’s route following the high ground in a near perfectly straight line towards the north and south, linking sites such as the Rollright Stones, Edgehill and the Burton Dassett Hills, all places which have a wealth of folklore and history surrounding them. These routeways were well-used by traders and cattle drovers by the Bronze Age, and are perhaps much more ancient still.


                 Ditchedge Lane

It certainly feels like an ancient and powerful routeway, sunken deep from millennia of feet and hooves, and the entirely untouched woodland in the swampy Stour valley is exactly how the ancient travellers would have known it. It feels like a small part of the past reaching out to touch the present.


Monday, 26 August 2019

The Sanctuary, Avebury


The Sanctuary, an elaborate timber and stone monument, is part of the vast Avebury complex and was built on a promontory at the southern end of the West Kennett Avenue. The ancient trackway known as the Ridgeway passes adjacent to the site and the steep sloping hillside has a natural dominance over the surrounding area, attracts the focus for several miles, and seems a fitting location for the southern-most monument of the Avebury complex.



The route of the West Kennett Avenue leading up to the Sanctuary

Today, there is little at the site but concrete markers. The two concentric stone circles were destroyed in the 18th century. The outermost was 40 metres in diameter, and they were built around 2500BC. This was the culmination of over a thousand years of activity at the site, and it seems the memory and sanctity of this was eventually immortalised.

The inner stone circle, 15 metres in diameter, was flanked by six concentric rings of oak posts, 1-6 metres in height, rising in height towards the centre. A single post stood in the centre. An entrance to the north-west roughly aligns with the point the West Kennett Avenue joins the monument. Other stone and post holes suggest more layers of complexity which are near impossible to interpret.

It’s believed the postholes represent a single structure rather than successive rebuilds, and it’s been suggested the posts may have supported horizontal wooden lintels, rather like at Stonehenge. The posts seem to have been regularly replaced, often long before they rotted, suggesting a dynamic function where the construction was more important than the finished structure. Deposits such as pottery and flint arrow heads in the postholes perhaps link to individuals or families who left part of their identity with the post they raised.



                                Churchyard yews.

Various theories have been proposed for the purpose of timber circles. One idea is that they reflect the growth of yew trees, which layer themselves and eventually form radial groves. Yews have an ancient sacred heritage and are still found in churchyards today. A venerated yew may even have grown near the circle. A large tree hole was actually found in the timber circle at Woodhenge.

An alternative theory is that the posts were linked with wattle screens to create a labyrinth or spiral path. Turf labyrinths and spiral paths such as at Silbury Hill and Glastonbury Tor would become of great importance in the millennia to come.

Monday, 19 August 2019

Avebury Monumental Complex




Avebury, a vast henge monument discussed last week, was developed into a far more elaborate complex during the late Neolithic and early Bronze Age. This is probably linked to the influx of a new people and culture from Europe who brought with them bronze-working technology and a vastly different way of life. It’s most likely the two cultures blended to form a new way of life and spiritual tradition. In this new world, individual wealth and power were becoming paramount.

Avebury’s two avenues, running from the south and west entrances, were built between 2600-2300BC; the early Bronze Age. There is no evidence for corresponding avenues for the other entrances.

The Beckhampton Avenue, now comprising only two stones, ran westwards along what is now Avebury High Street then curved southwest to the Longstones Enclosure, a causewayed enclosure created 600-800 years before the avenue itself. The enclosure had been long destroyed but its significance had remained in folk memory. Two long barrows, much earlier still, were also found nearby. Clearly the avenue’s builders were careful to include these ancient features built by their earliest ancestors.

The West Kennet Avenue runs southwards from Avebury to the Sanctuary, a stone and timber monument above the river Kennet. The serpentine route has been suggested to reflect the sinuous flow of a river, and it crosses the low-lying and once marshy ground around the Kennet before climbing the hillside to the Sanctuary. The Sanctuary is visible from almost all parts of the avenue, but Avebury itself is almost entirely hidden, suggesting the avenue may have been a processional path leading from Avebury to the Sanctuary rather than the other way around.

The West Kennet Avenue looking towards the Sanctuary.


Some of the stones had pottery, flint-working debris, human bones and sometimes entire burials at their base. People used the stones to mark graves, or to safeguard memories of lives or key events. Did individual families or settlements bring a stone from a place meaningful to them and raise it in the avenue, then leave gifts or loved ones’ remains at its base? The monument as a whole would then form a unified meld between all families and communities, strengthening relationships in a world where increasingly every person was for themselves.

Around this time, an unusual amount of human bones was deposited in Avebury’s ditches. This may have been ancestral remains from the now-ancient long barrows, which were closed for good around this time. Perhaps Avebury was a last haven for the old culture. Or perhaps people were sealing the memories of their past into its confines, so the land itself would remember them.

A nearby sarsen field. Stones with particular significance were taken to Avebury and incorporated into the monument.


Avebury now seems to be about memory and story. The avenues link several ancient features, including an ancient feasting site incorporated through a bend in the West Kennet Avenue, to tell a narrative history. I imagine people came to Avebury and processed from stone to stone in a communal remembrance of people and events, a commemoration of the histories of the places they passed, and their myths and legends of their existence.

Monday, 12 August 2019

Avebury Henge




Avebury henge in Wiltshire is Britain’s largest stone circle and formed part of a vast complex of monuments built and used over 2000 years. The story of its construction will perhaps never be fully understood.

It seems the earliest structure was a large wooden building, perhaps a house or hall which often featured at the earliest Neolithic settlements. After its demise it became the focus of a square arrangement of stones, now long removed. The building was perhaps built by the first settlers in the area, now revered ancestors, and was immortalised in memory as an example of ‘history-making’. This was eventually followed by the henge ditch and bank, then the huge outer stone circle with two smaller circles inside were raised, then finally two stone avenues were added.

The linear 'z-feature', with the south ring and the southern entrance stones beyond.


Avebury is in a natural ‘bowl’ surrounded by higher chalk ridges, one being the course of the ancient trackway called the Ridgeway. Although the henge is visible from the high ground all around, it’s surprisingly inconspicuous. Many stone circles are prominent in their landscape, designed to be seen, which suggests a different reason for Avebury’s location or purpose. Although, perhaps its size and therefore importance and fame meant it didn’t need to advertise itself. Inside the monument, little is visible of the outside world and it gives the impression of being an enclosed ‘microcosm’. It has often been suggested that circular monuments surrounded by a water-filled ditch are a microcosm of the earth with its surrounding ring of water.

Avebury comprises a circular ditch with an outer bank, 330m in diameter. The ditch was originally nine metres deep; a phenomenal undertaking using only antler picks. It was dug around 2900BC, replacing an earlier, more modest ditch. The stone circle inside comprised 98 huge sarsen stones, weighing up to 100 tonnes, many of which were destroyed or buried during Medieval times. Two smaller circles, around 100m diameter, were built inside the monument, and a variety of other stone features whose original layout and purpose remains unclear. Four causewayed entrances, slightly offset from the cardinal points, are the locations for the modern roads.

The two very different Cove stones in the northern circle.


Avebury’s earliest phase of construction was during the early Neolithic period, but intriguing evidence suggests its importance began long before this point. Many sacred sites in Britain, immortalised in stone during the Neolithic and Bronze Ages, were respected by the earlier hunter-gatherers who had populated Britain after the Ice Age. Neolithic settlers, or hunter-gatherers who adopted the farming lifestyle, built these monuments around natural features whose importance was perhaps known to a few and now forgotten or ignored by most. Groves, springs or rock features became an immortalised memory.

Avebury’s biggest sarsen stones, such as the now-destroyed Obelisk in the southern circle, the Cove Stone in the northern circle, and some of the entrance stones, are believed to have been naturally present, in contrast to the majority of the stones which were dragged into place from the nearby downs. Were they subject to millennia-old veneration and the reason for the henge’s location? Intriguingly, some stones at Stonehenge and Stanton Drew are also believed to have been raised in their natural locations, and the capstones of many portal dolmens were also raised in their original positions.
Avebury also incorporated more recent ‘history-making’. Several stones in the monument had been used, perhaps for centuries, as axe-polishing stones or polissoirs while they lay in their natural positions on the downs. These stones with their own histories and stories were then brought to Avebury and incorporated into the vast, story-telling monument.

British culture changed dramatically when people began to master and control their landscape, by clearing forests and growing crops and also by raising monuments which would exist for millennia, but I believe Avebury shows its seed lay in the earlier respect for the natural landscape of people who walked lightly on the land and whose presence left little trace behind.

The northern entrance stone, one of the huge sarsens probably respected for millennia before it was raised.