Reconstruction of Durrington Walls, showing the avenue, river, and timber circle.
Durrington Walls, found two miles
from Stonehenge, is one of the greatest henge monuments in Britain, and part of
the vast religious complex which stretches across the chalklands of Salisbury Plain.
The henge today survives as a chalk
bank, originally three metres high and over a mile long, enclosing an area of
42 acres, with an internal ditch 16 metres wide and six metres deep. This vast
earthwork enclosed a huge settlement, with up to a thousand wattle and chalk
houses divided into discrete communities. The ditch and bank were dug around
2500BC, destroying many of the outer houses, and is linked to the increasing
elaboration and enclosure of already ancient ritual sites, and also to the
raising of the huge sarsens at Stonehenge.
The extent of the henge.
Durrington Walls was closely linked
to Stonehenge. Researchers now think that people came to Durrington Walls, from
across the chalklands and also much further afield, including Wales and
northern Britain, bringing livestock and trade goods to an annual gathering at
the midwinter solstice where community relationships were reaffirmed, livestock
exchanged and marriage partners found. Two timber circles, one found
immediately in front of the entrance and containing at its greatest extent six
concentric rings of huge posts, have been linked to religious rites and
funerary ceremony. Likely people brought cremated remains to Durrington to be
deposited in the river, or for a chosen few, to be deposited inside the banks
of Stonehenge after a short journey down the river. Midwinter has always been
seen as a time of rebirth and renewal, when the sun begins again its annual
journey across the sky, and has often been seen as the time when souls cross
into the next world or alternatively join those souls waiting to be reborn.
The site of the avenue leading to the river.
Like Stonehenge, Durrington Walls had
an avenue leading down to the river Avon, fifteen metres wide and with
five-metre chalk banks on either side. Like Stonehenge, this avenue was
based on a natural feature. Beneath the avenue, on the same alignment, was a ‘road’
of natural flint. This aligned perfectly on the midsummer solstice sunset. This
is the opposite alignment of the Stonehenge avenue, and adds to the theory that
they are spiritual ‘opposites’ – one linked to the living and one linked to the
dead.
The focus of Durrington Walls, towards the fertile farmlands, the river and the rising sun.
Durrington Walls is on steeply
sloping ground, which was terraced to build the hundreds of houses, with an
area of high levelled ground furthest from the entrance where five elaborate
enclosed buildings were raised. Perhaps they were chieftain’s houses or houses
of the ancestors or spirits. They certainly had a natural command over the
site. Unlike Stonehenge, which is on a bleak and exposed hillside which emphasises
its liminality, Durrington Walls faces southeast, towards the rising sun which
would give light and warmth to the community. It is sheltered from the
prevailing winds and offers good views over and easy access to the river which
provided nourishment in both practical and spiritual sense. It certainly feels
like a place which was buzzing with life.
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